Invocations of ‘never again’ often overlook the recent history of genocide, particularly in Europe, with Srebrenica serving as a case in point. Such histories are increasingly being forgotten, marginalized or politically instrumentalized, but Jasmila Žbanić’s film ‘Quo Vadis, Aida?’ sifts through the contested memories and competing narratives to remind us of war’s devastating human effects, writes Slavenka Drakulić in Eurozine.
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